The film was a success, and he was appointed music director of UA, a post he held for almost nine years. Upon his arrival, Newman was told that production had been delayed he was then assigned to UA member Samuel Goldwyn, who was producing his first musical film, Whoopee, starring Eddie Cantor. Newman's Broadway work ended in February 1930, when, at the request of Irving Berlin, he was invited to Hollywood by United Artists (UA) to take over as music director for Berlin's forthcoming film, Reaching for the Moon. He made his first appearance as a symphony conductor in 1926, when he was invited by Fritz Reiner to conduct a concert with the Cincinnati Symphony Orchestra. His Broadway credits include The Greenwich Village Follies and musical comedies by the Gershwins, Otto Harbach, Jerome Kern, and Rodgers and Hart. That show was a substantial hit, and Newman became one of the theater's most sought-after music directors. His breakthrough to success occurred when George Gershwin recommended him to the producer George White for the Scandals of 1920. In 1919, Newman began conducting musical comedy on his own, receiving attention as "the youngest musical director in the country, " but none of his shows made it to Broadway. Daly encouraged the young pianist to take up conducting and taught him the fundamentals of baton technique. Daly, who later became influential in the career of George Gershwin. He was befriended by the show's music director, William M. His first commercial jobs were in vaudeville and as accompanist to the popular comedienne Grace La Rue in the 19 runs of the revue Hitchy-Koo. Family financial and domestic troubles forced Newman to abandon the concert world for that of show business. His debut recital took place on November 5, 1916. Newman's talent was praised by Stojowski, Ferruccio Busoni, Frank Damrosch, and Ignace Paderewski (whom he met in 1916 but who never sponsored any of his concerts, contrary to the assertion in some Newman biographies). (age 69) New Haven, Connecticut, United States
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